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Home Improvements

<p>How Micki Edelsohn, TYL ’65, reacted to her son<span style="line-height: 20.0063037872314px;">’</span>s developmental disability substantially changed hundreds of lives in Delaware.&nbsp;</p>

Micki Edelsohn, TYL ’65, and her son Robert stand outside the home she built for him, which spurred the Homes for Life Foundation in Delaware.

Story by Bruce E. Beans

Photography by Ryan S. Brandenberg

Micki Edelsohn, TYL ’65, was living her life exactly as she had planned it. After graduating from Temple, she married Lanny Edelsohn, a medical student. She taught art for a few years, and figured she would have two children and then continue a career in the arts. But in 1972, Edelsohn‘s plan was upended in a Boston delivery room.

What had been a model pregnancy resulted in the difficult breech birth of her son, Robert. And as he lay in a newborn nursery after the delivery, he stopped breathing. Initially, doctors assured her that he would be all right.

“I knew right away—and certainly by the time he was a year old—that he wasn’t on target for normal development,” she remembers. “I went through denial, anger, sadness. You tell yourself, ‘I can’t do this; it’s not part of the plan.’”

As a result of the breech delivery—and, Edelsohn believes, the episode in the nursery—Robert has intellectual and developmental disabilities.

“Robert has a great sense of humor, but he can’t tie his shoes,” Edelsohn explains. “I know some women say it’s a blessing and that good comes out of it, but it’s difficult—” she pauses profoundly. “There’s fear of the unknown—a fear of, ‘Who’s going to take care of him after I die?’”

That nagging fear drove Edelsohn to take action while Robert was still a teenager.

“My goals for Robert were the same as for [her eldest son] Andrew,” she says. “He’d grow up and be able to live as independently as possible, have a job and be an active member of the community.”

That meant, when the time came, his living in a group home under some kind of supervision. But she did not want him to live in a sparse, institutional building resembling a medical facility that serves a large number of residents—16 or more—whose freedom of choice and movement are often restricted.

LAYING THE FOUNDATION

Edelsohn’s determination for Robert to enjoy his quality of life and relative independence motivated her to raise funds to establish a small, supervised group home he could live in when he reached adulthood.

Because of her vision and resolve, 40–year–old Robert now resides in a warm, welcoming home with the same three men he has lived with since the building was finished in 1996. Within walking distance of the Edelsohns’ home in Wilmington, Del., the dwelling was not the first one his mother erected—and it was far from the last.

Since 1990, Edelsohn and the Homes For Life Foundation—the organization she eventually founded to enhance her fundraising clout—have built 25 attractive group homes in northern Delaware. With four residents per home, 100 adults with intellectual and/or developmental disabilities (ID/DD) between ages 28 and 81 now reside in the houses, along with supervisory staff.

“I know some women say it’s a blessing and that good comes out of it, but it's difficult. There’s fear of the unknown— a fear of, ‘Who's going to take care of him after I die?’”
-- Micki Edelsohn, TYL ’65, founder, Homes for Life Foundation

The idea that sparked Homes For Life now reflects a nationwide trend toward small, community–based residences for people with ID/DD who require daily assistance. Between 1992 and 2009, group homes in Delaware for fewer than six residents have increased steadily, while the populations in more traditional institutions have decreased steadily.*

And at a time when 88 percent of adults with ID/DD are unemployed, Edelsohn also has been a catalyst for many of the residents—and many others like them in Delaware—to become employed.

While Robert was still in high school, Edelsohn had raised $65,000 when her new neighbor, MBNA Corp. Founder and CEO Charles Cawley, overheard her talking about the project at a party in 1990. Cawley offered to contribute to the cause and help her complete the house—but only if the residents worked for MBNA, which soon would become the world’s largest independent credit–card company.

Edelsohn felt as if she had won the lottery. With Cawley also enlisting MBNA’s support, the first home was completed only eight months later. But Robert was 18, and not yet ready to move into that home. Edelsohn forged ahead. A second house was finished a year later, and two more followed the second. Robert wound up moving into Edelsohn’s fifth home.

It is difficult to picture the diminutive Edelsohn being satisfied with building only one home anyway. Fiery, big–hearted and frank, she is fiercely committed to the larger cause of improving the quality of life for people with ID/DD, in Delaware and beyond.

The four women who moved into her first home worked in various departments for MBNA. Since then, several hundred people with ID/DD, including Robert, have joined the company’s ranks. When Bank of America acquired MBNA in 2005, it continued the program. Nearly 300 people with ID/DD now work in its Support Services Department, which handles printing, signage, displays, customer mailings and more. Employee duties include digital printing, mounting and trimming large–format signs, silkscreening T–shirts, operating warehouse forklifts and more.

As Edelsohn walks through the Newark, Del., Bank of America facility, it is clear that she is at the heart of this community. Praising a young woman’s recent performance in Totally Awesome Players—the Delaware Theatre Company’s program for people with ID/DD—Edelsohn tells her, “Great acting, Katie.” Like a number of other women, Katie hugs her.

Edelsohn finally announces, “Here is Robert Edelsohn.” Dressed in a blue–striped polo shirt and khakis, a pleasant–looking man with thinning brown hair looks up from his assignment. “Do you know her?” says Mark Feinour, senior vice president for support service at Bank of America. Robert laughs.

DESIGN AND CONSTRUCTION

Edelsohn’s “homes for life” cost as much as $400,000 each to build and furnish. And each home reflects her commitment to environments that appeal to both the residents and the supervisory staff members who work and live there.

“I’m not a builder, but thanks to my art background at Temple, I can visualize,” she says. “I know how to design, modify and decorate homes.” Her husband, whose neurology practice also employs two people with ID/DD, has often found her working in the middle of the night, armed with scissors and Wite–Out, revising builder’s blueprints. After a resident became physically disabled, Edelsohn figured out how to add an elevator to one house. For more independent residents, she divided two of the homes into individual apartments.

“She’s a committed fireball, and the woman never sleeps,” says Rita Landgraf, current secretary of Delaware Department of Health and Social Services (DHSS) and former executive director of The Arc of Delaware, the nonprofit agency that manages and owns the residential properties. “She’s up emailing at 2 a.m.”

After the Homes For Life Foundation builds and furnishes the homes, it deeds them to The Arc of Delaware. Edelsohn’s asking price is $1.

The DHSS supplements operational expenses and works with private agencies to hire home supervisors. Based on their means and Social Security benefits, the residents also contribute to monthly costs.

  • Kevin and his three roommates each have bedrooms that reflect their individual personalities. In the U.S., small-group homes have been replacing large-scale institutions slowly throughout the past century.

FROM HOUSE TO HOME

Shortly after 4:30 p.m., a van returns Robert and his co–workers to their two–story brick home on a tree–lined street. Edelsohn stops by to check in on her son. The aroma of a savory noodle dish being prepared by a staff member permeates the first floor.

At one end of the large living and dining room, Fred—who silkscreens T–shirts for Bank of America—is watching The Dr. Oz Show with several women who reside in another of Edelsohn’s homes next door. Lounging nearby is a third housemate, David, who works for McDonald’s. Robert checks his email at a desk opposite handsome black–and–white photographs of the four housemates.

Their spacious bedrooms are located upstairs. A few are covered from floor to ceiling in pictures clipped from magazines, but Robert’s room is tidy. Photo collages are mounted above his bed: Robert taking Rehoboth Beach’s polar–bear plunge as a part of a fundraiser for the Special Olympics; participating in an improvisational skit; and acting in a spoof of Shakespeare, Totally Awesome Hamlet. At the foot of his bed, a basket teems with comic books such as X–Men.

Robert, Kevin (late 30s), Fred (early 60s) and David (late 40s) have lived together for 16 years. Edelsohn says that David, the highest–functioning resident, “could move out tomorrow and live independently.” But he does not want to leave. “I would miss the guys and they would miss me,” he explained to her recently.

Indeed, members of the direct support staff consider the foursome the most cohesive residential unit in the group homes. “Does everybody get along here?” Edelsohn asks.

“Mostly, we do,” Fred laughs.

“Does Robert ever get annoyed?” she asks knowingly, prompting more good–natured laughter.

“Only when his computer doesn’t work,” Fred says.

STRUCTURAL SUPPORT

“What she’s done is really extraordinary,” says Deborah Spitalnik,CLA ’82, who serves with Edelsohn on the President’s Committee for People with Intellectual Disabilities and earned her doctorate in clinical psychology at Temple. The founding executive director of the Elizabeth M. Boggs Center on Developmental Disabilities at the University of Medicine and Dentistry of New Jersey, Spitalnik lauds Edelsohn’s ability to forge partnerships between the public and private sectors in an age of shrinking federal and state resources. Such partnerships are critical for the nearly 8 million people with similar disabilities nationwide.

“Micki has been groundbreaking in this,” Spitalnik says. “It’s clear that there will not be enough government resources to support people in the ways we want to—not only by developing their skills, but also by providing them with the lives they want and those their parents want them to have.”

Edelsohn’s passion and drive are so infectious, it is hard to believe she simply stumbled upon her mission. But, she says, “I just wanted to do something for my son.”

* Braddock, et al., Coleman Institute and Department of Psychiatry, University of Colorado. 2011. 

Bruce E. Beans, a freelance writer and editor from Bucks County, Pa., has written for Temple University since 2005.

 

“I know some women say it’s a blessing and that good comes out of it, but it's difficult. There’s fear of the unknown— a fear of, ‘Who's going to take care of him after I die?’”
Source: 
Micki Edelsohn, TYL ’65, founder, Homes for Life Foundation
Abstract: 
How Micki Edelsohn, TYL ´65, reacted to her son's disability changed hundreds of lives.
Quarter: 
Year: 
2012
Sub-heading: 
<p>How Micki Edelsohn, TYL ’65, reacted to her son<span style="line-height: 20.0063037872314px;">’</span>s developmental disability substantially changed hundreds of lives in Delaware.&nbsp;</p>
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Digging Italy

<p>Undergraduate students spend their summer uncovering a Roman villa in Artena, a rural Italian village not far from Rome.</p>

Leah Marangos (left) sifts the human remains she found onsite. A visiting doctor (right) helps her identify the bones.

Story and photography by Maria Raha

How is your baby, Leah?"

"It’s coming along."

Leah Marangos, a graduate student at Rutgers University who previously studied at Temple University Rome, kneels at the edge of a small hole in the dirt. She is captivated by the remains she has found: a human baby, dated to approximately A.D. 400. She thinks the infant was likely buried in the shards of an amphora, or vessel, that surround the small bits of bone.

Marangos is one of six students taking a six–credit course called Archaeological Excavation in Artena, Italy, where they learn the process of an archaeological dig from “the pickaxe to the pencil”—all while immersed in the area’s rural culture. Since 2010, Temple students have headed to the top of a 2,000–foot Italian mountain to excavate an ancient Roman villa, in the blazing summer sun, with Temple University Rome instructor Jan Gadeyne. 

The site overlooks the mountain town of Artena. According to Gadeyne, it is the largest pedestrian village in the world, but is largely unknown—even to most Italians. Given Artena’s truly rural culture—picture a slightly updated Sicily than was depicted in Godfather II—its differences from bustling, teeming Rome (located only 25 miles northwest) are striking. A maze of medieval buildings comprises the center of the town. Donkeys, laden with groceries and other unwieldy deliveries for the town’s residents, still traverse its narrow, winding and steep cobblestone streets. Across the road from Hotel Chiòcchiò, the staff of which warmly welcomes, houses and feeds Gadeyne’s students each summer, a farmer walks his horse around a track. Outside the hotel, a rooster crows and a parrot echoes its call. In other words, Artena is a far cry from North Philadelphia.

“It was really nice to see Italy’s rustica side after being in Rome for so long,” says Gina Roi, a senior graphic-design major who also has studied at Temple Rome. “We learn the local culture and attend town parties and events. One night, we jumped over fire because it’s cleansing—it’s a tradition here. It was really cool.”

This is not the History Channel—this is hard labor.
-- Jan Gadeyne, instructor, Temple University Rome

ROMAN HOLIDAY?

The setting is idyllic, but the course is rigorous and the days are long. Students rise at 6 a.m. and meet in the humble lobby of the hotel. Onesto Coculo, Hotel Chiòcchiò’s owner, serves the team espresso or cappuccino and cookies before they head to the site, about one mile away and atop Artena.

Once they arrive at the site, the team follows what is left of the ancient road that leads to the villa and gets to work immediately. The sun is usually unforgiving; dust and bees whip around them as they dig. Throughout the day, Gadeyne and his research partner, Cécile Brouillard of the French Institute for Preventive Archaeology, guide the students’ techniques, document their own research and pitch in by digging vigorously. “How many PhDs do you know who sweat like this?” Gadeyne asks as he points to his sweat–soaked Temple Rome T–shirt.

Each day, the students quietly and patiently chip away at centuries of dirt and rock with pickaxes and hand trowels, voicing their hopes of uncovering a sarcophagus. In reality, discoveries at the site happen incrementally. When Temple seniors Brett Williams and Hannah Lents announce that they have found some bones, Gadeyne confirms the find, announces it to the group, and then says with a little sigh, “But, they could just be chicken bones.”

After a daily, midafternoon lunch at Broulliard’s summer home, just down the road from the dig, the students usually spend the afternoon washing, cataloging and varnishing the shards they have collected. The glittering pieces are left on the hotel terrace to dry overnight. (When Marangos finds what she quickly begins referring to as “my baby,” she foregoes washing potshards and spends the next two afternoons sifting those remains instead.)

Throughout the summer, Gadeyne also holds classes in museums and at historical sites, such as the Temple of Primigenia Virilis in Palestrina, a town on a mountain that faces Artena. Uncovered after a bombing during World War II, some of the imposing temple’s features predate the architectural wonder of Rome’s Pantheon by 250 years.

Each night at 8 p.m., the group shares a traditional, four– to five–course Italian dinner cooked by the kitchen staff of Hotel Chiòcchiò before shuffling to bed, exhausted and stuffed. On weekends, they are free to explore Artena, Rome and other cities across Europe.

REALITY BITES

Gadeyne notes that Archaeological Excavation also can help participants decide on—or against—a career path. The harsh reality of the day–to–day work without instantly learning the significance of what they are unearthing can help them steer clear of the field. “This course smashes the myth of archaeology,” Gadeyne says. “This is not the History Channel—this is hard labor.”

Though it is not the edited, sometimes grand stuff of documentary television, the site’s history is compelling on its own. Perched above Artena’s cluster of terracotta roofs in various states of repair, the ancient site sits on a cliff–like artificial terrace 50 feet higher than its surrounding hills. The Roman villa—the focus of the project—was inhabited from the first century B.C. until at least the fifth century A.D.

Thus far, Gadeyne, Brouillard, and their predecessors and apprentices have uncovered the foundations of numerous structures, including one with a mosaic floor, since preserved with a glass roof and a covering of pebbles and dirt; a wine or olive press room; a bath complex; an atrium; a cistern; and an aqueduct.

Ankle–high stone foundations line the site, all right angles and partial squares. The atrium is located in the middle of the terrace, now sheltered to provide the research team respite from the sun. The private bath complex, located diagonally from the atrium, is covered with a tarp that provides a cool place for the group to stash water. It sits a few feet below ground level, and is divided into two rooms separated by a brick wall. Gadeyne explains that one room would have been used for fire, and the heat would have flowed into the adjoining room through a small archway in the brick. On the other side of the atrium lies what is left of the wine or olive press, identified by the presence of an adjacent, in–ground basin.

Gadeyne notes that the site’s history mirrors the geopolitical history of Italy and the Mediterranean. The excavation has revealed evidence of early structures and an initial settlement in approximately the fourth century B.C., which was subsequently destroyed violently. “We’ve seen destruction through traces of fire in the buildings that have been excavated,” Gadeyne says.

The next phase of habitation began with the construction of the villa that flourished between the first century B.C. and the second century A.D. Further waves of occupation and abandonment occurred through the seventh century.

“We are dealing with a site that has existed for more than 1,000 years,” Gadeyne explains. “It begins in a time when Rome was not yet the capital of an empire, but was gradually expanding its influence—that’s the time of the town. Then you have the villa, when Rome was capital of the Empire and a big city that needed to be fed. This villa is one of the hundreds of farmhouses that produced for the capital. Then you have the phase when the countryside goes through a crisis.”

The later ups and downs of life on the terrace reflect the decline of the Roman Empire and then Rome’s existence under Germanic and Byzantine rule from 476 onward.

“I’m very interested in the material culture of early Christians, like A.D. 33 to like, 400,” says Hannah Lents, an anthropology major and president of the Newman Center, Temple’s Catholic community. “The time period we’re digging in is just after the time period I’m interested in, so it’s good for me to get the idea of what Rome is doing. I can see how it influenced this town.” Lents states that she has wanted to become an archaeologist since she was 6 years old. And though a month in the dust might drive some students away, the experience has only fueled her fire. “Hannah, do you still want to be an archaeologist?” Gadeyne asks. Lents answers by smiling, nodding and jumping up and down simultaneously.

  • The view from Hotel Chiòcchiò, where Jan Gadeyne's students stay during their time at the site.

DIG INTO THE PAST

For others, Archaeological Excavation is the first dig in which they have participated. For example, Brett Williams, a senior sculpture major in the Tyler School of Art, came to Artena to explore how memory and environment intersect.

Williams applied for the class after studying for a semester in Rome and hearing about Gadeyne. But Gadeyne was not the only reason he returned to Italy to study. His love of Italy aside, the course is informing his art.

“I’m interested in environment and space, and how I change in different places,” Williams explains. “I thought being here—abroad, but in a setting other than Rome—would be interesting, especially excavating a villa and how that environment changes through the history of time. People settled there, and digging into their past and history is really interesting.”

Though the students are briefed via Skype before their arrival, they plunge right into the work after a day of settling in to life in the countryside.

“You don’t really get a lot of direction about how to dig,” says Kelley Stone, TYL ’12, an alumna who is on her third trip to the dig. Now an employee at the Barnes Foundation in Philadelphia, she took a two–week vacation to return as a volunteer this past summer.

“You figure it out yourself and Jan corrects you as you go. You learn by doing.”

RURAL CULTURE

Gadeyne also is committed to including the residents of Artena in the project. “We don’t want to be a foreign presence here,” he says. “This isn’t our site—it’s theirs."

Local community members sporadically show up at the dig to help. One local man provides the group with wild plums; another’s sheep cheese is served with dinner at the hotel. And when swaths of land or towering piles of dirt need to be moved at the site, the latter supplies the team with tractors.

“We are in a very rural community, and that means that we must establish a good relationship with the local community,” Gadeyne explains. “We try to make them aware of their heritage. We participate in cultural events here; we occasionally give lectures; we give tours. They are starting to understand the value of the area we are excavating.”

Lents, who is bubbly and energetic in the evenings, is so focused on her task at the dig, she rarely looks up, speaks or smiles—unless she is asked about Artena. “Artena’s awesome,” she states. “The thing about it is, you see the villa, which is what you might think of Rome—the aristocracy and all that jazz. But where we’re digging is not all nice, clean columns—we’re uncovering piles of rocks and saying, ’What is this? What were they thinking?’ And then eventually, we say,’Oh! This is pavement!’ It’s exciting.”

 

This is not the History Channel—this is hard labor.
Source: 
Jan Gadeyne, instructor, Temple University Rome
Abstract: 
Owls excavate ancient history and find their places in the world.
Quarter: 
Year: 
2012
Sub-heading: 
<p>Undergraduate students spend their summer uncovering a Roman villa in Artena, a rural Italian village not far from Rome.</p>
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Wobik Wong

<p>Degree: MFA, photography, Tyler School of Art, 1979<br><span style="line-height: 1.538em;">Occupation: Staunch Preservationist</span><br><span style="line-height: 1.538em;">Location: Hong Kong</span></p>

Photography courtesy of Ken Kwok, Hong Kong Economic Journal

Hong Kong is filled with sleek skyscrapers, but longtime photographer Wobik Wong, TYL ’79, is interested in its much humbler architecture.

For more than 20 years, she traveled her homeland’s countryside, capturing images of dilapidated buildings and crumbling structures that were once popular local attractions, such as the Lai Yuen Amusement Park and the Eu family mansion. Wong says that such buildings, which served as the backdrop for her youth, have since decayed or have been demolished. Through her photography, Wong is determined to keep them intact.

Images from that collection were the focus of her latest exhibition, Memory and Fiction, held at BlindSpot Gallery—the only gallery in Hong Kong dedicated to photography. The exhibit included 14 of her original works.

“I paid particular attention to landmarks or buildings that carried historical significance or were frequented by locals once,” Wong says. “Because their demolition was inevitable, the only thing I could do was document them photographically. It was of paramount importance to me.”

“I was always looking for something new.”

For Wong, photography is about conveying her emotions and her personal understanding of the world. As a student, she was drawn to avant-garde French films that spurred visceral reactions.

“I was all about experimenting with new modes of art at that time,” she says. “I was always looking for something new.”

It was her hunger for the avant-garde that led Wong to Temple. While taking undergraduate courses in sculpture and printmaking at Columbus College of Art and Design in Ohio, Wong attended a seminar by former Temple Professor of Photography William Larson. She was so impressed with his work, she promptly applied to the Tyler School of Art.

“When I met [Larson], his series ‘Figure in Motion’ was attempting to relate time and space,” Wong recalls. “This was before Photoshop—at that time, manipulating images between time and space wasn’t easy. He was using cutting-edge techniques to do it.”

Wong says that in Hong Kong, photography is not accepted as a fine art form in the same vein as painting or sculpture, but it is gaining attention in the city’s art circles. She aims to boost that momentum: She is one of the founders of the Hong Kong Photo Festival, and, as one of the few women photographers who is a Hong Kong native, she also works to train a new generation of photographers as a teacher and an art administrator.

To read more alumni profiles, check out the latest issue of Temple.

“I was always looking for something new.”
Abstract: 
Amid Hong Kong's glittering skyscrapers, Wobik Wong, TYL ´79, is interested in a different kind of architecture.
Quarter: 
Year: 
2012
Sub-heading: 
<p>Degree: MFA, photography, Tyler School of Art, 1979<br><span style="line-height: 1.538em;">Occupation: Staunch Preservationist</span><br><span style="line-height: 1.538em;">Location: Hong Kong</span></p>
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On a High Note

<div>Terell Stafford</div><div>Occupation: Laura H. Carnell Professor of Jazz Studies, director of jazz studies, chair of instrumental studies</div><div>Location: Boyer College of Music and Dance</div>

Photography by Joseph V. Labolito

Terell Stafford has toured the world as a premier jazz trumpeter. He has performed in renowned venues including Carnegie Hall and Lincoln Center, on The Tonight Show with Jay Leno and on the film soundtrack for A Bronx Tale. He is a member of the Grammy–winning Vanguard Jazz Orchestra and frontman for the Terell Stafford Quintet.

WHY DID YOU TAKE UP THE TRUMPET?

I played the viola for a year before I started playing the trumpet, and I was horrible at it. My teacher was discouraging; he told me I had no musical ability. I switched to the trumpet because I was fascinated with it and had always loved the way it sounded.

YOU ARE CLASSICALLY TRAINED, BUT SWITCHED TO JAZZ WHILE STUDYING MUSIC EDUCATION AT THE UNIVERSITY OF MARYLAND. HOW DO CLASSICAL MUSIC AND JAZZ COMPARE?

In classical music, what you do in practice is exactly what will happen on stage. But jazz is completely spontaneous. You can take more risks. You can go with how the moment feels.

WHAT ARTISTS POPULATE YOUR IPOD?

I probably should open myself up to other genres of music, but because I came to jazz so late in life, I immerse myself in the greats: Dizzy Gillespie, Miles Davis, Blue Mitchell and Lee Morgan, who is one of my favorites.

HOW DO PERFORMING AND TEACHING INTERTWINE?

I think they feed off one another. I draw from my performances to prepare students for things they might encounter as musicians. For example, many of them ask me how to overcome feelings of nervousness, and I tell them to focus on how the other musicians are playing and become a selfless musician. When you give more, you get more, and you’re able to saturate yourself in their sounds. I also can draw from what I tell my students in class to make my performances better; I’ll recall a time when I’ve told them to relax or slow down when they play, and I’ll try to do the same when I perform.

WHAT ADVICE DO YOU HAVE FOR BUDDING MUSICIANS WHO MIGHT BE FACING THE SAME DISCOURAGEMENT YOU DID EARLY ON?

All we have to live on is our dreams. I had a dream to play the trumpet, and no matter what, I knew I was going to do that. I’ve had people try to take that dream away from me, but following it has allowed me to do amazing things and meet amazing people. Despite what others say, if it is meant to happen, it will.

Abstract: 
Director of Jazz Studies Terell Stafford is a premier jazz trumpeter.
Quarter: 
Year: 
2012
Sub-heading: 
<div>Terell Stafford</div><div>Occupation: Laura H. Carnell Professor of Jazz Studies, director of jazz studies, chair of instrumental studies</div><div>Location: Boyer College of Music and Dance</div>
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A celebration of Lewis Katz

Temple Today Email Information
Watch this tribute to the life of Temple alumnus, trustee and friend Lewis Katz.
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Lewis Katz, CST ’63: In the business of making memories

Temple Today Email Information
Four days after Temple Trustee Lewis Katz, CST ’63, and six others were killed in a plane crash, the university community pulled together for a memorial service June 4 with the stature, passion and vibrancy befitting a man who has given so much.
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Storify: Trustee Lewis Katz remembered

Many turned to social media to express condolences and share thoughts about Trustee Lewis Katz.

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Parking and Lewis Katz memorial service information for Wednesday, June 4

Temple Today Email Information
A memorial service for Temple Trustee Lewis Katz is scheduled for tomorrow, Wednesday, June 4, at 11 a.m. in the Temple Performing Arts Center. A large crowd is expected to be in attendance. Employees are encouraged to watch the service online at temple.edu, where it will be streamed live.
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Temple researcher’s work spotlights cancer threat in Italy

Temple Today Email Information
For 10 years, Antonio Giordano—director of the Sbarro Institute for Cancer Research and Molecular Medicine at Temple—has been collaborating with Italian scientists to examine the ever-increasing cancer rates in Italy’s Campania region, resulting from unregulated industries and decades of illegal toxic-waste dumping. Today, thanks in part to his work, the Italian government has acknowledged the severity of the problem.

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